Updating previous blog posts, this week, Nova Southeastern University's Copyright Officer looks at how Malibu Media lost their first summary judgement motion and court ruling that “transformative use” artists assume the risk of a lawsuit.
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The Fight over “Blurred Lines:” What Parts of a Song are Copyrightable?
The recent court case over the song “Blurred Lines” highlighted a very thorny question: exactly what parts of a song are copyrightable? Nova Southeastern University's Copyright Officer, Stephen Carlisle, J.D., explains how courts have handled the questions legally, and how music composition techniques and music theory affect the results.
Copyright Blog Update: Google’s Latest DMCA Abuse, Here Come the Bogus Bonds and Judge Says 1 + 1 = 1
This blog edition updates some topics covered in previous blog posts: Google is caught once again abusing its DMCA safe harbor rights, Canadian publisher announces a series of new James Bond stories, and a Judge rules that two copyrights that are infringed are actually only one copyright infringed. Nova Southeastern University's Copyright Officer, Stephen Carlisle, J.D., keeps you up to date and explains what it all means.
Copyrights Are Not Property! (And Other Silly Sophistry)
Many arguments being tossed about on the internet are sheer sophistry; namely “the deliberate use of a false argument with the intent to trick someone.” Foremost amongst these are the claims of the anti-copyright forces of such curious notions that “copyrights are not property” and “copyright infringement is not theft.” Nova Southeastern University's Copyright Officer, Stephen Carlisle, J.D., examines these assertions and discovers that sometimes the answer is hiding in plain sight.
James Bond Enters the Public Domain! Is This the Work of SPECTRE?
James Bond has defeated many formidable villains. But now he faces the most powerful, unstoppable and implacable foe yet: the public domain! On January 1, 2015, the copyrights on the 12 James Bond novels and two collections of short stories written by Ian Fleming entered the public domain in Canada, Japan, New Zealand, South Africa, Thailand and dozens of other nations. Nova Southeastern University's Copyright Officer, Stephen Carlisle, J.D., examines what this means for our intrepid hero, now and in the future.
Copyright Blog Update: The Future of the Georgia State Case, Google Censors the Internet (When it’s Profitable) and Active Nashville Songwriters Drop 80%
Updating several recent blog posts, Nova Southeastern University's Copyright Officer, Stephen Carlisle, J.D., examines the options for the future of the Georgia State “fair use” litigation, how Google censors free speech when it finds it profitable to do so, and the 80% reduction in the ranks of working songwriters in Nashville.
Blog Update: Sirius XM Loses in New York, Fires Lawyers, Loses Again
It’s been a bad few months for Sirius XM. First, they lost two cases in California brought by Flo and Eddie and the recording industry, then lost a key ruling in New York. Instead of throwing in the towel, they threw out their legal team. Unfortunately, the results got worse. Nova Southeastern University's Copyright Officer, Stephen Carlisle, J.D., examines the key points raised in the New York case, and explains why the Judge is now very unhappy.
Google Blacklists 10,000 Sites a Day; Why Doesn’t It Blacklist Pirate Sites?
Google likes to portray itself as a “content neutral” equivalent of an electronic golden retriever, namely that it only sends back to you what you look for. Nothing could be further from the truth. Apparently, Google has a “blacklist” and roughly 10,000 web sites a day find themselves blocked by Google, for a variety of reasons, as two recent lawsuits against Google have revealed. Nova Southeastern University's Copyright Officer, Stephen Carlisle, J.D., digs into who gets banned and why, and asks: why don’t the pirate sites get banned?
Streaming Hits a Dam: Taylor Swift Says “Not So Fast,” Sirius XM Loses Again and Flo and Eddie Sue Pandora
Some say that streaming is the future of music. Many musicians disagree, including Taylor Swift. Not only did she refuse to place her latest album on Spotify, she pulled her entire back catalog from the streaming company, citing in part the microscopic royalty payment Spotify makes. Lots of commentators rushed out to call her greedy or stupid and sometimes both. Yet she sold over 1.2 million copies of her album “1989” in one week, which is more than anybody has sold all year long. Nova Southeastern University's Copyright Officer, Stephen Carlisle, J.D., crunches the numbers and gets to the bottom (line) of it all.
Copyright Blog Update: Meet the New and Improved “Whack-A-Mole”
In the never ending race to provide even more pirated material on the internet, a new wrinkle in the whack-a-mole phenomenon was unveiled recently. A new UK pirate website, using a special webcrawler and algorithm actively recovers URLs removed by Google and works to promote the listings back to the top of Google results after being demoted. Who provided them with this handy list of where to find pirated material? Why, Google of course, and its partner in crime, the Chilling Effects organization. Nova Southeastern University's Copyright Officer, Stephen Carlisle, J.D., explains how Google provides this handy “Google Map” on where to find copyright infringing material, and how it reflects on Google’s recently released document titled “How Google Fights Piracy.”